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The video work 'Bonkers' by Clemens Wittkowski is crazy in the truest sense of the word. Haunting. Powerful. Counteracting. We are close to the silhouette of a long- haired person who, without fear, moves his head with maximum impetuosity to a death metal sequence. Headbanging...

The video work 'Beaten' by Clemens Wittkowski stages the soul and the heart – and the inner conflict in dealing with both. How do I think and how do I feel? How do I get mixed up by influences and resistance, including from outside, and...

The video work 'Tränen. Vergehen.' (Tears. Passing By.) by Clemens Wittkowski stages the ambivalence of melancholy and pleasure in an effective way. In it, we become part of a one-shot video sequence guided by a haunting music loop. 'Tränen. Vergehen.' provides an exclusive and familiar...

The video work 'inside out' by Clemens Wittkowski begins acoustically with supposedly tearing explosions. The initially blurred images suggest something dramatic: Confrontation and war. After half a minute, however, the scenery and the sound become something else: an impressive firework display lights up with virtuosity,...

The video work 'iSign' by Clemens Wittkowski dissects the perceptible discrepancy between action and reaction. In a barren dune landscape on heathland, a white flag is waved back and forth. It is far away from us. As a renunciation of resistance, as a sign of...

The video work 'Hier' (Here) by Clemens Wittkowski visualizes our soul in an unprecedented way. On the surface of an aging children's blackboard, on which people normally scribble, draw, calculate, and write, we follow a hand acting with white chalk, observing and listening almost distantly...

The video work 'why is it never enough' by Clemens Wittkowski relentlessly visualizes our tendency to push things to the limit and rightly asks why it is never enough. In a single sequence, a hemp rope stretched to breaking point crunches under the tensile forces....

The video work 'Lieben' (Love) by Clemens Wittkowski takes us to a very familiar psychological place – to the self of all of us. The view of an agitated seascape with demanding waves, a supposedly clearing sky, and filigree sediment moments underwater is permeated by...

The video work 'Kollusion' (Collusion) by Clemens Wittkowski characterizes the mostly unconscious interplay of different interests in forming relationships: Love, family, friendship, social, and above all the relationship with oneself. After a while, some of them become very negative, polarizing, sometimes toxic, and narcissistic. A...

The video work 'Synkope' (Syncope) by Clemens Wittkowski follows the movements of a key, staged in a negative shot, which supposedly unlocks a door, accompanied by repetitive piano playing and deep rolling noises from inside the door lock. Options to open something, to open up,...